🖐 THE 5 BEST Nigeria Movie Theaters (with Photos) - Tripadvisor

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The cinema of Nigeria, often referred to informally as Nollywood, consists of films produced in One of the earliest cinema operators in Lagos was the "West African Pictures Company" owned by Mr. S. Khalil, Other popular cinema chains include: Capitol Cinema, Casino Cinema, Kings Cinema, Central Cinema, Rialto.


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List of Nigerian writers List of Nigerian poets. Colonial filmmakers started producing films for local audiences within Nigeria since the s, mostly employing the mobile cinema as a means of exhibition; [28] the earliest feature film made in Nigeria is 's Palaver produced by Geoffrey Barkas. Towards the late s and into the s Nigerian productions in movie houses increased gradually, especially productions from Western Nigeria, owing to former theatre practitioners such as Hubert Ogunde , Ola Balogun , Moses Olaiya , Jab Adu, Isola Ogunsola, Ladi Ladebo, Sanya Dosumu and Sadiq Balewa amongst others, transitioning into the big screen. Sam Onanuga, a Nigerian script writer blames the trend on the reluctance of the established Nigerian acts to partake in more films on Video. The Silverbird experiment became very successful, and as a result, the group launched few more cinema branches in Lagos and other cities in the country. The gradual decline of the Golden era of Nigerian cinema has been attributed to several factors, including the reduction in the value of Naira , lack of finance and marketing support, lack of standard film studios and production equipment, frequent Government structural adjustment programmes due to military dictatorships, as well as inexperience on the part of practitioners. As a result of these collaborations, Western viewers often confuse Ghanaian movies with Nigerian films and count their sales as one; however, they are two independent industries that sometimes share the colloquial " Nollywood ". It also produced newsreels and short documentaries, depicting celebrations and colonial achievements to domestic and overseas audiences. Flag Coat of arms.{/INSERTKEYS}{/PARAGRAPH} World Heritage Sites. Not long after the establishment of Silverbird cinemas, Genesis Cinemas and Ozone Cinemas were also launched creating a competition in the cinema business. At the peak of the video era at around , the industry had become the second largest producer of films, [41] releasing approximately video films monthly. The decline of the Home video era has been attributed to several factors, such as the refusal of the Government to provide support and funding, the lack of a formal and effective indigenous film distribution infrastructure and the increase in the cost of production in Nigeria. Nigerian filmmakers usually feature Ghanaian actors in Nigerian movies as well and that has led to the popularity of Ghanaian actors almost like their Nigerian counterparts. Nigerian actors have also starred in some Ghanaian productions, in order for the film to capture wider audience. The Nigerian film industry has a strong following in the African diaspora community in Europe , especially in the United Kingdom. Much later, in the s, Filmhouse Cinemas also came into the picture, leading to the availability of more cinemas in the country, especially outside the affluent neighbourhoods. The film industry regardless became a major employer in Nigeria. This grant, although dubbed as a spin-off of "Project Nollywood", was for the entire Nigerian Creative Arts and Entertainment sector. The drastic decline in cinema culture resulted in some of the existing cinema houses being acquired by religious bodies and turned to churches; others were simply just closed down. Since Evil Encounter , it became common, especially in Southern Nigerian cities to see video copies of recorded television programmes traded on the streets. As of , at least four to five films were produced every day in Nigeria. The first New wave film to be shown at a cinema was the Yoruba-language film Irapada by Kunle Afolayan , which was screened at the Silverbird Galleria in Lagos. The film was extensively promoted before being aired on the television, and as a result, had streets flooded in the following morning with video copies of the recorded broadcast. In the early s, only a few of the once vibrant cinema houses were still in operation, and all had collapsed before The emergence of the video film market in Nigeria is traced back to the s when television productions thrived. The film was shot amongst the Sura and Angas people of the present day Bauchi and Plateau States in Northern Nigeria , and narrates the rivalry between a British District Officer and a tin miner which leads to a war. Music and performing arts. Television broadcasting in Nigeria began in the s and received much government support in its early years. In , concerned about the influx of foreign culture into Nigeria, the Indigenization Decree was issued by the then head of state Yakubu Gowon ; which demands the transfer of ownership of about a total of film theatres in the country from their foreign owners to Nigerians. The vision of the grant for the film industry however is to help more Nigerian filmmakers in training, funding, and also help in creating necessary infrastructure for the industry. In , the colonial government set up a Board of Censorship to handle matters relating to the establishment and operations of cinema houses in the colony. These films' production periods take months and even span into years, a far cry from the films in video format which are usually shot in a matter of days or weeks. Jimi Odumosu's Evil Encounter , a horror film released directly on television, was the first production to be a pointer to how lucrative making film directly on video can be. This overwhelming popularity has also led to backlash against Nigerian films in several countries; For instance, there have been reported cases of shops selling Nigerian films being raided by the police in Ghana ; according to them, "they are struggling not to be colonized by Nigerian movies". A survey carried out by the Newspaper showed that out of films featured on Nollytuned. It was also the first film to feature Nigerian actors in a speaking role; Nigerian film actors featured in Palaver include Dawiya and Yilkuba. He stated that there seems to be a "Nigerianization" of Africa, worrying that the whole continent has come to "snap its fingers the Nigerian way". The Silverbird Group is the first company to launch a series of modern Cinema houses across major cities in Nigeria, mostly situated in affluent areas and districts. Other notable improvements in the New Nollywood include: more subtle performances from actors; different from the overt melodrama which constituted the video era, more practical, more logical and generally better stories. According to the Filmmakers Cooperative of Nigeria , every film in Nigeria had a potential audience of 15 million people in Nigeria and about 5 million outside Nigeria. This transfer also resulted in the emergence of Nigerian playwrights, screenwriters and film producers; popular literature and theatre works were adapted into motion pictures. This trend has given another probable explanation as to the demise of the Nigerian cinema culture in the s, which might have been as a result of the unfashionable appearance of most cinemas of the Golden era. Since the s, Nigerian movies started to dominate television screens across the African continent and by extension, the diaspora. Many of these were circulated on video as well, and a small-scale informal video movie trade developed. Although Mr Balboa later closed his exhibition in Lagos, while he continued showing films in other West African countries, the success of his exhibition led to a European merchant , Stanley Jones, to begin showing films in the same Glover Memorial Hall, starting from November This brought about the influx of more European film exhibitors to Nigeria. Cinema of Nigeria No. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era , Golden Age , Video film era and the emerging New Nigerian cinema. The popular thriller film The Figurine is generally considered the game changer, which heightened the media attention towards " New Nigerian Cinema " revolution. Motion picture entertainment was as a result complemented by the Yoruba travel theatre groups, which emerged in the s through s; One of the most prominent were the Agbegijo and Alarinjo theatre groups, which featured theatre actors such as Duro Ladipo, Ishola Ogunmola, Lere Paimo, Oyin Adejobi, amongst others. There has since been a resurgence in cinema establishments, and a steady return of the cinema culture in Nigeria. The film was also screened at the few available theatres at the time. Several other producers as a result started shooting in cities like Accra , Ghana , channeling the savings into investing in better equipment, many of them trying to get their films onto the big screen. Law limited foreign content on television, so producers in Lagos began televising local popular theatre productions. Several grants have been launched by the Nigerian Government, in order to support quality content in Nigerian films. Religion also aided in the expansion of cinema culture as the Christian missionaries used cinemas for religious propaganda. Film as a medium first arrived to Nigeria in the late 19th century, in the form of peephole viewing of motion picture devices. The Colonial Film Unit, throughout the decade, exhibited health and educational films to local audiences through its mobile cinema vans. This method was adopted and built on by producers and distributors at Alaba Market to reinvent the film industry, since the Nigerian cinema culture was facing a major decline. The increased collaboration between Nigeria and Ghana from the mid s led to the resurgence of Ghana's film industry. After Nigeria's independence in , the cinema business rapidly expanded, with new cinema houses being established. Khalil, a member of the Syrian community in Lagos. Martins also featured in other notable films including The Man from Morocco , Men of Two Worlds and so on, and this established Martins as one of the recognized Nigerian actors of his time. The theatre was incorporated with two cinemas, each having a capacity of over people. This provides more reasons to visit the place beyond just watching films, but more of a social activity and a modified sort of entertainment beyond film watching. By this time, cinema had become popular in Lagos with crowds of young and old people usually waiting at the doors of theatre halls. The presence of foreign investments led to the erection of several cinema complexes. The boom also led to backlash against Nigerian films in several countries, bordering on theories such as the "Nigerialization of Africa ". However, many Ghanaian productions are copyrighted to Nollywood and distributed by Nigerian marketers due to Nigeria's bigger market. Since mids, during the decline of the video-film era, the Nigerian cinema has undergone some restructuring to promote quality in output and professionalism in the industry, with The Figurine widely regarded as marking the major turn around of contemporary Nigerian cinema. Television Cinema. After the decline of the Golden era, Nigerian film industry experienced a second major boom in the s, supposedly marked by the release of the direct-to-video film Living in Bondage ; the industry peaked in the mid s to become the second largest film industry in the world in terms of the number of annual film productions, placing it ahead of the United States and behind only India. In no time, the industry became the third largest producer of films in the world. Nnebue had an excess number of imported video cassettes which he then used to shoot his first film on a Video camera. In , Nigerian Entertainment Today revealed that Ghanaian actors had 60 percent of the total market share in the year. {PARAGRAPH}{INSERTKEYS}The cinema of Nigeria , often referred to informally as Nollywood , consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the colonial era in the early 20th century. Also, more Nigerians started playing active roles in cinema establishment as a result of this policy. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. As cinemas became a common feature of the social life in the then emerging city of Lagos , the late s through s marked the beginning of the establishment of big commercial cinema houses with branches in strategic parts of the country. The earliest feature film made in Nigeria is 's Palaver produced by Geoffrey Barkas. The Silverbird Galleria is a large shopping mall, with an upscale cinema facility and various outlets where mercantile activities take place. Silverbird cinemas upon establishment started screening Nigerian films with high production quality, as a result discouraging poor film production. It was also reported that there are high demands for Ghanaian acts in video stores. The film was also the first film ever to feature Nigerian actors in a speaking role [11] [12] As of , there were four other halls showing films twice a week in Lagos Mainland and one hall each in Ebute Metta and Oshodi. It was reported that the film became an instant hit at Alaba market , a commercial district which later became the hub of video distribution in this period and also eventually became the hub of piracy in Nigeria. From Wikipedia, the free encyclopedia. For us it is a good development. Few years into the 21st century, Nigeria began to experience the growth of cinemas, which was initially structured for the middle and upper class. It contributed about 1. However at this point, the Nigerian film industry had practically degenerated into a "visionless" industry, with the invasion of several people who do not know a thing about filmmaking, and piracy was at its peak. In , Unesco rated Nollywood as the second-biggest film industry in the world after Indian cinema in terms of output. In through , the state of affairs changed a bit, with more Nigerian contents being exhibited in cinemas; [15] with a purported drive to "Africanize" film production, [28] the Nigerian Film Unit was established in order to decentralize colonial film production. The first film entirely copyrighted to the Nigerian Film unit is Fincho by Sam Zebba ; which is also the first Nigerian film to be shot in colour. By the mids every state had its own broadcasting station. This development sparked media attention; mostly concerns that Ghanaians were taking over jobs meant for Nigerians. This is an emerging phase in Nigerian cinema, in which there became a major shift in the method of film production, from the video format, back to the cinema method, which constituted the films produced in the Golden era. Around year through , Nigerian filmmaker Frank Rajah Arase signed a contract with a Ghanaian production company, Venus Films , which involved helping to introduce Ghanaian actors into mainstream Nollywood. Nigeria movies now already dominate television screens across the African continent and by extension, the diaspora.